About Luna Victoria Studio
Giving fragile things permanence.
My name is Victoria or simply Vic. I work with flowers, resin, and light not as decoration, but as material.
My practice began with a constant pull toward preservation because I had the desire to hold onto something fragile and dying like old flowers.
Over time, light entered the work as more than illumination. While finishing and polishing resin surfaces, I would use a torch to check the clarity and depth of the material. Again and again, I noticed how the flowers transformed when lit from behind, their structures became more pronounced, almost architectural.
That moment stayed with me. What I had been seeing privately in the studio felt too striking to remain hidden. Light became a way to reveal what was already there.
Each piece is made by me in small batches or as a one off. I’m interested in objects that live quietly in a space, but continue to unfold the longer you stay with them. Larger pieces are often developed with the help of few people, whose background in woodwork and metal fabrication allows the work to expand into more architectural forms. This studio is a place for ongoing exploration of material, meaning, and the spaces in between.
About the studio
The studio currently works across two different spaces, shaped as much by process as by practicality.
Some parts of the work are physical and demanding like casting, sanding, finishing and they take place in a workshop environment where materials are handled more forcefully, and the work becomes structural. Other parts require quiet and time. Flowers are dried, arranged, tested, and sometimes simply observed before they become part of a piece. These slower stages happen in a separate studio space, where the work can remain open ended for longer.
Moving between these environments has become part of the practice. It allows for a shift between precision and intuition, control and experimentation, usually I am responsible for the intuition part and my partner for precision. Ideas often emerge in one space and are resolved in the other, carrying traces of both.
The studio is small, and the work unfolds at my pace. Larger formats and expanded possibilities are something I’m gradually working toward, as the practice develops and the right conditions take shape.
For now, the studio remains a place of ongoing exploration and attention to material and light.